For the Record …īorn on June 24, 1935, in Colfax, CA. A highlight included a concert with Zakir Hussain on tabla. In addition, Riley gave raga performances during the seminars. The Chisti Sabri School of Music had a two-week program focusing on Pran Nath ’s classical works with opportunities to learn the tabla and vocal styles. During the many trips Riley made to India, in 1993, he began the responsibility of co-directing a music study program in Delhi, India. Riley studied under Pran Nath and performed with him as tampura, tabla and vocal accompanist until his death in 1996. North Indian raga vocalist Pandit Pran Nath took Riley as a student in 1970 and contributed significantly to Riley ’s artistic expressions. Riley avoided the music industry machinery during the 1970s to pursue something more satisfying to his soul. He is a musician of enormous sophistication and technical ability, a musician who finds the center of tones and enters into them in the genuine hope of discovering something essential about the lifting of our spirits …. A Los Angeles Times article described Riley ’s shows: “Riley ’s performances are easier to experience than to explain. He performed a record eight-hour, thirty-minute concert of continuous music at the Philadelphia College of Art in the fall of 1967. Using an old organ harmonium with a vacuum cleaner motor blowing into the ballasts and various tape delays, he would perform concerts lasting all night, entertaining people who brought entire families to just relax and listen to the music until sunrise. ”ĭuring the 1960s, Riley performed his music with a unique flair. Riley himself explained his contribution to Western music in the Haggerty interview: “essentially, my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns. Without a melody involved in the sound, the repetition and order of the patterns formed the music.
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His seminal work, In C, was composed from 53 simple patterns which were grouped together in a series and repeated to form a structure. Riley ’s early music initiated the Minimalist movement. Riley added repetition to Young ’s conceptual view of music and began an era. Riley told Gamall and Ammon Haggerty of Rhythmos: “ had a superb conceptual sense about music, I think his sense about music is what spawned Minimalist music … La Monte ’s idea was just to have this one big form that were just long tones, I think that was the real essential heart of Minimalist music. The first of his primary influences was La Monte Young, whom he met while attending the University of California.
It was during this time that Riley ’s vision for music began. He later studied at the University of California at Berkeley during 1960-61. He studied composition under Robert Erickson and piano under Duane Hampton at San Francisco State College from 1955-57.
Riley was born on June 24, 1935, in Colfax, California, located in the Sierra Nevada Mountains. But it is also grounded in classical tradition and jazz, in the advanced keyboard techniques of Chopin, the harmonic richness of the Impressionists, in the ecstatic improvisations of Coltrane. It has the improvisatory flair, the rhythmic exhilaration and the melodic subtly of the music of India, which Riley has studied for decades. His work was described in the Los Angeles Times as “derived from many parts of the globe and from different eras.
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With this understanding, Riley set his mind free as he created. Riley recognized that a composer could write and play whatever felt appropriate. ” Not surprisingly, several popular artists and groups have been influenced by his work, including John Adams, Steve Reich, Philip Glass, Brian Eno, The Who, Tangerine Dream, and Curved Air.
These accomplishments alone were sufficient for high praise, but with Riley ’s own personal performances and numerous commissioned compositions, it was fitting that the London Sunday Times newspaper proclaim Riley “one of the 1000 makers of the 20th century. In addition, Riley ’s desire to create new music for the human mind and ear enlivened the instruments of the highly regarded Kronos Quartet. Riley ’s compositions and performances with electronic keyboards and tape delays wove sounds together into the sonic fabric that would lay the foundation for the New Age movement. Composer Terry Riley is best known for starting the Minimalist movement with his work In C in 1964 and introducing repetition to Western music.
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